Please help me with my ongoing mission (founded 2006) to keep Jazz from becoming invisible.
Contributions of any amount are helpful: https://www.gofundme.com/f/support-the-mission-of-jazz-video-guy
Monthly subscriptions for as low as $1 are also helpful: https://www.patreon.com/bretprimack
In 1971, Leroy Kirkland introduced Onaje to the Detroit guitarist Kenny Burrell, to whom Onaje gave a demo tape. The following day, Onaje received a call to play with Burrell at Baker’s Keyboard Lounge in Detroit. This work led to further performances with major jazz musicians such as bassist Larry Ridley as well as The Thad Jones/ Mel Lewis Orchestra.
During those early 1970s, Onaje replaced Nat Adderley, Jr. in a contemporary jazz ensemble called Natural Essence. At that time in the course of two years, some of the personnel of this group included drummer Buddy Williams, bassist Alex Blake, trombonist Earl McIntyre and on percussion, T. S. Monk.
Gumbs adopted the name Onaje in the early 1970s; it means «the sensitive one».
«His association with the New School for Jazz and Contemporary Music in New York and his work with the Litchfield Jazz Camp in New Milford, Conn., allow him to expand his vision and shape young minds.»
Pianist Onaje Allan Gumbs plays Herbie Hancock’s Dolphin Dance with Woody Shaw’s group, live in Nice in 1979 featuring Stafford James on bass and Victor Lewis on drums.