ESPACIO SINKRO
Fresh Member
Inigo Ibaibarriaga & Josetxo Silguero Selmer Basque Concert (SPAIN)
"Mugimendu Bukatuezina-Perpetuum Mobile"
Inigo Ibaibarriaga - tenor & baritone saxophone
Josetxo Silguero Gorriti - soprano, tenor & baritone saxophone
Idoia Zabaleta - dance
Ignacio Monterrubio - software max/msp, video and electronic expression
Ricardo Climent - software max/msp, video and electronic expression
Borja Ramos - video programming
Elena Mendizábal - Sculpture Costumes
Programme
1. Juan José Eslava: El umbral de una línea III(2006)for saxophones and live software max/msp
world premier
Juan José Eslava (Navarra-1970, Spain)
He has studied composition in Conservatory of Zaragoza (Spain) with Teresa Catalan (composer). He has studied piano, harmony, counterpoint, composition, orchestration and analysis in France, especially with Claude Ballif in "Conservatoire de musique de Sevran" and in "Conservatorie National Supérieur de Paris" with Emmanuel Nunes, Gérard Grisey, Luis Naon, Michael Levinas, Marc André Dalbavie, where he has also studied ethnomusicology with Gilles Léothaud. In 1997 he was a student in "Académie Européenne de Musique" in Festival d'Art Lyrique d'Aix-en-Provence", , where he has worked with dancers of "Preljocaj" company, supervised by Philippe Manoury. He has followed many summer stages of composition: Szombathely (Hungry), Veruela (Spain), "Centre Acanthes" (France) and "Foundation Royaumont-Voix Nouvelles" (France), working with composers like Yizhak Sadai, Brian Ferneyhough and Jonathan Harvey. During the year 2003 - 2004 he followed the "Cursus de Composition et d'Informatique Musical" of Ircam in Paris, where he worked with professors Philippe Leroux, Mikhail Malt, Benjamin Tigppen, Jean Lochard and invited composers such as Tristan Murail, Marco Stroppa, Jonathan Harvey, Hugues Dufour and others. He has received the commissions of Orchestra "Pablo Sarasate" (Spain), of Festival "Quincena Musical" (San Sebastian, Spain) and worked with many ensembles and solo performers in Spain, France and Japan.
2.Zurine F. Gerenabarrena: A contra luz (2006) for saxophones, Dancer, Sensors and Electronic expression
world premier
Zurine F. Gerenabarrena (Vitoria/Gasteiz-1965, Spain)
She began her studies of composition with Carmelo Bernaola at the High Conservatory of Music "Jesús Guridi" of Vitoria. It obtains one scholarship to extend her studies in the "Scuola Civica" of Milan with F.Donatoni, A.Melchiorre, I.Fedele... Attends seminaries, and contacts with the composers of the contemporary Italian school. Seminars: Granada, Darmstadt, Milan, IRCAM, LIEM with: A.G.Abril, T.Marco, C.Halffter, J.Encinar, L.Brouwer, F.Guerrero, S.Sciarrino, A.Corghi, N.Castiglioni, A.Clementi, D.Cohen , G.Manzoni, T.Murail, Luis de Pablo, J. Harvey, G.Grisey, R.Climent and F.Kropfl.. Parallelly it continues with his work of electronic and mixed technical, sound installation, performances, dance. Works: "Luz", "Esan Amandrie Oihuka", "Astiro-astiro", "The hanged man", "Bakarrean", "Bihotzbi", "Hutsune Irudigarri", "Zehiar", "Azalpean", sound istallation, "Xurrumurruak", "En busca del silencio"(electrics-show) musical action-factory for children "Ozendu", "Cuatro por Cuatro" with the dance company "Michelle Man and Friends". She has worked as orchester films, for theatre, publicity, video, cartoon-works. Her works have been performanced in: "Days of contemporary Music", "Electracustic Music", Festival "ENSEMS", "Quincena Musical", "XI Congreso Mundial del Saxofón", "Festival Internacional de Música y Danza de Granada", Season of the Symphony Orchestra of Euskadi, Auditorio Nacional, M.N.C.A.R.S (Madrid), Palau de la Música, IVAM (Valencia), Inaguration Museum Guggenheim (Bilbao), University of Milan, Biennale dei Giovani Artisti del l'Europa e del Mediterraneo, Academy of Spain in Roma, Festival "Músicas del Quinto Pino" (Leioa), Festival Shynthese Bourges (Francia),V Cycle Contemporary Spanish Music in Europe, Academy "Sibelius" (Finland), Teatro Groggia (Venice), Poland, London, Hungary, Kishinev, Milan, Dublín, Munich. Orders and aids to the creation of ensembles and organizations of :Basque Government, INAEM, CDMC, Quincena Musical, Orquesta Sinfónica de Euskadi... Its work is had including in several collective discs. Member of the organizing committee of the Days of Music Electroacústica de Vitoria-Gasteiz. At the moment it arranges its compositiva work with teaching in MUSIKENE (Superior Center of Music of the Basque Country).
3. Ignacio Monterrubio: Huellas móviles (2006) for saxophones, video, sensors and live software max/msp
world premier
Ignacio Monterrubio (Miranda de Ebro-1976, Spain)
As of 2002 it comprises of ENSEMBLE ESPACIO SINKRO of Vitoria, being one of his people in charge in the software and sonorous diffusion of his concerts of electroacoustic music. Also, 2002 in the organization of the SINKRO FESTIVAL collaborates from the year, International Days of Music Electroacoustic de Vitoria-Gasteiz. In February of 2004 educative software titled "Más/2 sound-pedagogic installation ", project- order of the Conservatory of Music "Jesus Guridi" of Vitoria, in the occasion of the tenth Days of Electroacoustic Music. As of year 2004 it comprises of the tour "Silguero/Monterrubio Videosoundproject" next to the saxo Josetxo Silguero Gorriti, like in charge in the sound/visual diffusion of the electroacoustic devices, creating different patch with the Max/Msp program for the development from the concerts. From 2005 he is founding partner and member of the director equipment of the Sinkro Association, ordered to organize, among others, the Festival the International Sinkro de Vitoria-Gasteiz. At the present time it arranges his facet of composer and collaborator with different members and groups in the electroacoustic scope of the direct one, with his educational work in conservatories of dance and music.
4. Ricardo Climent : Drosophila (2005) for prepared saxophones, Dancer, Sensors and Electronic expression
Ricardo Climent (Valencia-1965, Spain)
Ricardo Climent is a music composer. His musical output ranges from acousmatic composition to large scale instrumental works involving the use live electronics and also collaborations with visual artists and scientists. His performances have taken place in Europe, America and the far East, in specialised music festivals such as; ICMC-Cuba, Brazilian symposium on computer music, Rencontre de la creation musicale- Bordeaux, Sonorities-Belfast, Punto de Encuentro-Spain, Sonic Arts Network conferences-UK, Club Diario Levante-Spain, Spring in Havana, Ruidos-Mexico, Northern Ireland Now-Munich, Ciber@rt - Spain, Music at Night- Boston, CDMC-Madrid, RMA conference-Huddersfield, Musica Musikaren- Vitoria, Sounds Electric -Ireland, SICMF-Seoul, Suwon Univ. Korea, Tokyo etc. His research interests focus on the use of live electronics for human interaction in the compositional and performance environment. Recently, he was Unesco-Aschberg resident composer at the Conservatorio las Rosas, Mexico, 2003-04 resident composer of the JOGV Orchestra, Valencia, Spain, LEA lab conservatorio Valencia, In you we Trust (Cushendall Tower) and has served as resident researcher at TUB Elektronische Studio, Berlin and now at the Sonology Department, Kunitachi College of Music, Tokyo. Ricardo is Lecturer in Music Technology at the Queen's University of Belfast. He completed a PhD in composition at the Queen's University of Belfast and a Master in Music Technology.
INIGO IBAIBARRIAGA (Bilbao, Basque Country-Spain) .
He studied Flute and Saxophone at the Superior Conservatory of Music in Bilbao, where he obtained the Highest Diploma on Saxophone. He studied four years with Manuel MIJÁN and Jean-Marie LONDEIX, and attended classes with eminent teachers such as Pedro ITURRALDE, Daniel DEFFAYET, Claude DELANGLE, Henri BOK, Daniel KIENTZY and Marie-Bernadette CHARRIER. Member of the groups ARCADE, Ensemble KURAIA, actives in Contemporary Music. He is the permanent saxophonist for the Bilbao Symphonic Orchestra. He has recorded in CD and DVD, spanish contemporary music, with KURAIA Ensemble. and KLEM Laboratory of Electronic Music. He received invitations to play in Festivals of Contemporary Music in Spain, Europa, Sud-America and Asia. He studied his Doctor in Plastic-Music in Basque Country University. His interest for the fusion Picture-Music has take him o realice his works with Plastic-Artists, Dancers, video-Artist in "Action -Music" and "Performances". Author of several books for the teaching of the saxophone, published by "Real Musical" Editions. He is professor at the Conservatory of Santurce (Bilbao). He is finishing his Doctoral Thesis about the " Music Sensor Control Technology around the Sax playing" in Basque Country University.
JOSETXO SILGUERO GORRITI (Irun, Basque Country-Spain)
A very experienced performer with broad musical interests (symphonic, chamber, improvisation). Amongst these are the Symphonic Orchestra of the Basque Country and the Guerrero Project (Madrid-soloists). He is also the founder and artistic director of the group Ensemble Oiasso Novis. Silguero has performed his sonic projects in Germany, France, Britain, Italy, Switzerland, Canada, Chile and Perú, as well as at the most important Spanish festivals and musical events. He has also performed the world premieres of works by composers not only from Spain (Alarcón, Del Cerro, Posadas, Eslava, Lleó, Satué) but also from other European countries and from across the Atlantic (Scelsi, Alvien Lucier, Jorge Antunes). Silguero's commitment to modern music has inspired renowned Basque composers to write, and dedicate to him, their first works for saxophone (Lazkano, Erkoreka, Torre, Monterrubio, Ramos, Aurrekoetxea, Gerenabarrena, Martínez, De la Torre.). In February 2004, Silguero presented the world concert premiere of Giacinto Scelsi's "Canti del Capricorno" alongside the exceptional Japanese singer Michiko Hirayama and the Guerrero Project at the Chamber Music Hall of the National Music Auditorium in Madrid. His special dedication to electroacoustic music has led to the premieres of more than 40 works. Is a self-taught jazz musician. In 1986 performed at the First National Forum of Jazz Music for Young Musicians organized by the Spanish Ministry of Culture. With TRIPTICO group, he received the 1990 Best Jazz Band Award from the Department of Culture of the Basque Government. During his musical formative years he was awarded several grants from the Spanish Ministry of Culture, the Basque Government and the Regional Government of Gipuzkoa to fund master classes with the prestigious teachers Manuel Miján in Madrid and Jean-Marie Londeix in Bordeaux ("Ville de Bordeaux" Honours Award in 1994). In June 2001 Silguero was awarded the Musical Creation Grant by the Círculo de Bellas Artes in Madrid and the Fama-Mojacar Fundation. Silguero also collaborates with the Department of Quality Control for saxophones at SELMER SPAIN, and currently teaches in the Conservatoire of Music "Jesús Guridi" in Vitoria-Gasteiz, Spain.
IDOIA ZABALETA MORÁN (Vitoria-Gasteiz, Basque Country-Spain)
She studied biology and new dance and improvisation in Spain, in Amsterdam, in Florencia and in New York, with Julyen Hamilton, Katie Duck, Alessandro Certini, David Zambrano. She worked in several shows of improvisation. She also worked with Mal Pelo in "La Calle del Imaginero"in 1994, "La canción de Bernabé" in 1995 and" Orache" in 1997. In 1990 she formed her own group, Moare Danza, creating "Runas", "Conversaciones", "Motz", La Puta Inocencia in 2001, "El rato de José" in 2002 and "Zeru urdina" in 2003 (piece showed in Uzbekistan, Kyrgyzstan and Mongolia), "Gau bakar bat" in 2004 and "Gata Sombra" in 2005. Nowadays she is working in the proyect "Dueto" with the portugues choreographer Filipa Francisco. This proyect is part of the bigger proyect called "Encontros Inmediatos" organized by Alkantara in Lisboa. She used to collaborate with different music, dance and theatre groups in Basque Country. Since 2002 she collaborates with the electroacustic laboratory Klem, having performed with them the pieces Entre libres espíritus, Ciudades infinitas, Underground, Con cadencia de eternidad in Bilbao, Barcelona, Madrid, Roma and Milan; nowadays they´re working in the piece Drosophila in collaboration with Ricardo Clement and Inigo Ibaibarriaga.
ELENA MENDIZABAL ( Sculpture Clothes)
Doctor in Fine Arts and teacher of sculpture in the Faculty of Fine Arts of the UPV /EHU. Since 1982 carries out exhibitions of sculpture in the Basque Country and Spain and her works could be seen in numerous catalogues and publications. Recently she has promoted and collaborated in interdisciplinary artistic events financed by diverse private and public companies.
This concert is presented with the support and cooperation of:
SELMER
Dpt. Cultura of the Government Basque Country (Spain)
Laboratorio de Música Electroacústica de Vitoria-Gasteiz (Basque Country, Spain)
SONIC ARTS (The Research of music and performance technologies of Belfast, Ireland)
KLEM (Laboratory of Electroacoustic Music of Bilbao) (Bilbao, Spain)
"Mugimendu Bukatuezina-Perpetuum Mobile"
Inigo Ibaibarriaga - tenor & baritone saxophone
Josetxo Silguero Gorriti - soprano, tenor & baritone saxophone
Idoia Zabaleta - dance
Ignacio Monterrubio - software max/msp, video and electronic expression
Ricardo Climent - software max/msp, video and electronic expression
Borja Ramos - video programming
Elena Mendizábal - Sculpture Costumes
Programme
1. Juan José Eslava: El umbral de una línea III(2006)for saxophones and live software max/msp
world premier
Juan José Eslava (Navarra-1970, Spain)
He has studied composition in Conservatory of Zaragoza (Spain) with Teresa Catalan (composer). He has studied piano, harmony, counterpoint, composition, orchestration and analysis in France, especially with Claude Ballif in "Conservatoire de musique de Sevran" and in "Conservatorie National Supérieur de Paris" with Emmanuel Nunes, Gérard Grisey, Luis Naon, Michael Levinas, Marc André Dalbavie, where he has also studied ethnomusicology with Gilles Léothaud. In 1997 he was a student in "Académie Européenne de Musique" in Festival d'Art Lyrique d'Aix-en-Provence", , where he has worked with dancers of "Preljocaj" company, supervised by Philippe Manoury. He has followed many summer stages of composition: Szombathely (Hungry), Veruela (Spain), "Centre Acanthes" (France) and "Foundation Royaumont-Voix Nouvelles" (France), working with composers like Yizhak Sadai, Brian Ferneyhough and Jonathan Harvey. During the year 2003 - 2004 he followed the "Cursus de Composition et d'Informatique Musical" of Ircam in Paris, where he worked with professors Philippe Leroux, Mikhail Malt, Benjamin Tigppen, Jean Lochard and invited composers such as Tristan Murail, Marco Stroppa, Jonathan Harvey, Hugues Dufour and others. He has received the commissions of Orchestra "Pablo Sarasate" (Spain), of Festival "Quincena Musical" (San Sebastian, Spain) and worked with many ensembles and solo performers in Spain, France and Japan.
2.Zurine F. Gerenabarrena: A contra luz (2006) for saxophones, Dancer, Sensors and Electronic expression
world premier
Zurine F. Gerenabarrena (Vitoria/Gasteiz-1965, Spain)
She began her studies of composition with Carmelo Bernaola at the High Conservatory of Music "Jesús Guridi" of Vitoria. It obtains one scholarship to extend her studies in the "Scuola Civica" of Milan with F.Donatoni, A.Melchiorre, I.Fedele... Attends seminaries, and contacts with the composers of the contemporary Italian school. Seminars: Granada, Darmstadt, Milan, IRCAM, LIEM with: A.G.Abril, T.Marco, C.Halffter, J.Encinar, L.Brouwer, F.Guerrero, S.Sciarrino, A.Corghi, N.Castiglioni, A.Clementi, D.Cohen , G.Manzoni, T.Murail, Luis de Pablo, J. Harvey, G.Grisey, R.Climent and F.Kropfl.. Parallelly it continues with his work of electronic and mixed technical, sound installation, performances, dance. Works: "Luz", "Esan Amandrie Oihuka", "Astiro-astiro", "The hanged man", "Bakarrean", "Bihotzbi", "Hutsune Irudigarri", "Zehiar", "Azalpean", sound istallation, "Xurrumurruak", "En busca del silencio"(electrics-show) musical action-factory for children "Ozendu", "Cuatro por Cuatro" with the dance company "Michelle Man and Friends". She has worked as orchester films, for theatre, publicity, video, cartoon-works. Her works have been performanced in: "Days of contemporary Music", "Electracustic Music", Festival "ENSEMS", "Quincena Musical", "XI Congreso Mundial del Saxofón", "Festival Internacional de Música y Danza de Granada", Season of the Symphony Orchestra of Euskadi, Auditorio Nacional, M.N.C.A.R.S (Madrid), Palau de la Música, IVAM (Valencia), Inaguration Museum Guggenheim (Bilbao), University of Milan, Biennale dei Giovani Artisti del l'Europa e del Mediterraneo, Academy of Spain in Roma, Festival "Músicas del Quinto Pino" (Leioa), Festival Shynthese Bourges (Francia),V Cycle Contemporary Spanish Music in Europe, Academy "Sibelius" (Finland), Teatro Groggia (Venice), Poland, London, Hungary, Kishinev, Milan, Dublín, Munich. Orders and aids to the creation of ensembles and organizations of :Basque Government, INAEM, CDMC, Quincena Musical, Orquesta Sinfónica de Euskadi... Its work is had including in several collective discs. Member of the organizing committee of the Days of Music Electroacústica de Vitoria-Gasteiz. At the moment it arranges its compositiva work with teaching in MUSIKENE (Superior Center of Music of the Basque Country).
3. Ignacio Monterrubio: Huellas móviles (2006) for saxophones, video, sensors and live software max/msp
world premier
Ignacio Monterrubio (Miranda de Ebro-1976, Spain)
As of 2002 it comprises of ENSEMBLE ESPACIO SINKRO of Vitoria, being one of his people in charge in the software and sonorous diffusion of his concerts of electroacoustic music. Also, 2002 in the organization of the SINKRO FESTIVAL collaborates from the year, International Days of Music Electroacoustic de Vitoria-Gasteiz. In February of 2004 educative software titled "Más/2 sound-pedagogic installation ", project- order of the Conservatory of Music "Jesus Guridi" of Vitoria, in the occasion of the tenth Days of Electroacoustic Music. As of year 2004 it comprises of the tour "Silguero/Monterrubio Videosoundproject" next to the saxo Josetxo Silguero Gorriti, like in charge in the sound/visual diffusion of the electroacoustic devices, creating different patch with the Max/Msp program for the development from the concerts. From 2005 he is founding partner and member of the director equipment of the Sinkro Association, ordered to organize, among others, the Festival the International Sinkro de Vitoria-Gasteiz. At the present time it arranges his facet of composer and collaborator with different members and groups in the electroacoustic scope of the direct one, with his educational work in conservatories of dance and music.
4. Ricardo Climent : Drosophila (2005) for prepared saxophones, Dancer, Sensors and Electronic expression
Ricardo Climent (Valencia-1965, Spain)
Ricardo Climent is a music composer. His musical output ranges from acousmatic composition to large scale instrumental works involving the use live electronics and also collaborations with visual artists and scientists. His performances have taken place in Europe, America and the far East, in specialised music festivals such as; ICMC-Cuba, Brazilian symposium on computer music, Rencontre de la creation musicale- Bordeaux, Sonorities-Belfast, Punto de Encuentro-Spain, Sonic Arts Network conferences-UK, Club Diario Levante-Spain, Spring in Havana, Ruidos-Mexico, Northern Ireland Now-Munich, Ciber@rt - Spain, Music at Night- Boston, CDMC-Madrid, RMA conference-Huddersfield, Musica Musikaren- Vitoria, Sounds Electric -Ireland, SICMF-Seoul, Suwon Univ. Korea, Tokyo etc. His research interests focus on the use of live electronics for human interaction in the compositional and performance environment. Recently, he was Unesco-Aschberg resident composer at the Conservatorio las Rosas, Mexico, 2003-04 resident composer of the JOGV Orchestra, Valencia, Spain, LEA lab conservatorio Valencia, In you we Trust (Cushendall Tower) and has served as resident researcher at TUB Elektronische Studio, Berlin and now at the Sonology Department, Kunitachi College of Music, Tokyo. Ricardo is Lecturer in Music Technology at the Queen's University of Belfast. He completed a PhD in composition at the Queen's University of Belfast and a Master in Music Technology.
INIGO IBAIBARRIAGA (Bilbao, Basque Country-Spain) .
He studied Flute and Saxophone at the Superior Conservatory of Music in Bilbao, where he obtained the Highest Diploma on Saxophone. He studied four years with Manuel MIJÁN and Jean-Marie LONDEIX, and attended classes with eminent teachers such as Pedro ITURRALDE, Daniel DEFFAYET, Claude DELANGLE, Henri BOK, Daniel KIENTZY and Marie-Bernadette CHARRIER. Member of the groups ARCADE, Ensemble KURAIA, actives in Contemporary Music. He is the permanent saxophonist for the Bilbao Symphonic Orchestra. He has recorded in CD and DVD, spanish contemporary music, with KURAIA Ensemble. and KLEM Laboratory of Electronic Music. He received invitations to play in Festivals of Contemporary Music in Spain, Europa, Sud-America and Asia. He studied his Doctor in Plastic-Music in Basque Country University. His interest for the fusion Picture-Music has take him o realice his works with Plastic-Artists, Dancers, video-Artist in "Action -Music" and "Performances". Author of several books for the teaching of the saxophone, published by "Real Musical" Editions. He is professor at the Conservatory of Santurce (Bilbao). He is finishing his Doctoral Thesis about the " Music Sensor Control Technology around the Sax playing" in Basque Country University.
JOSETXO SILGUERO GORRITI (Irun, Basque Country-Spain)
A very experienced performer with broad musical interests (symphonic, chamber, improvisation). Amongst these are the Symphonic Orchestra of the Basque Country and the Guerrero Project (Madrid-soloists). He is also the founder and artistic director of the group Ensemble Oiasso Novis. Silguero has performed his sonic projects in Germany, France, Britain, Italy, Switzerland, Canada, Chile and Perú, as well as at the most important Spanish festivals and musical events. He has also performed the world premieres of works by composers not only from Spain (Alarcón, Del Cerro, Posadas, Eslava, Lleó, Satué) but also from other European countries and from across the Atlantic (Scelsi, Alvien Lucier, Jorge Antunes). Silguero's commitment to modern music has inspired renowned Basque composers to write, and dedicate to him, their first works for saxophone (Lazkano, Erkoreka, Torre, Monterrubio, Ramos, Aurrekoetxea, Gerenabarrena, Martínez, De la Torre.). In February 2004, Silguero presented the world concert premiere of Giacinto Scelsi's "Canti del Capricorno" alongside the exceptional Japanese singer Michiko Hirayama and the Guerrero Project at the Chamber Music Hall of the National Music Auditorium in Madrid. His special dedication to electroacoustic music has led to the premieres of more than 40 works. Is a self-taught jazz musician. In 1986 performed at the First National Forum of Jazz Music for Young Musicians organized by the Spanish Ministry of Culture. With TRIPTICO group, he received the 1990 Best Jazz Band Award from the Department of Culture of the Basque Government. During his musical formative years he was awarded several grants from the Spanish Ministry of Culture, the Basque Government and the Regional Government of Gipuzkoa to fund master classes with the prestigious teachers Manuel Miján in Madrid and Jean-Marie Londeix in Bordeaux ("Ville de Bordeaux" Honours Award in 1994). In June 2001 Silguero was awarded the Musical Creation Grant by the Círculo de Bellas Artes in Madrid and the Fama-Mojacar Fundation. Silguero also collaborates with the Department of Quality Control for saxophones at SELMER SPAIN, and currently teaches in the Conservatoire of Music "Jesús Guridi" in Vitoria-Gasteiz, Spain.
IDOIA ZABALETA MORÁN (Vitoria-Gasteiz, Basque Country-Spain)
She studied biology and new dance and improvisation in Spain, in Amsterdam, in Florencia and in New York, with Julyen Hamilton, Katie Duck, Alessandro Certini, David Zambrano. She worked in several shows of improvisation. She also worked with Mal Pelo in "La Calle del Imaginero"in 1994, "La canción de Bernabé" in 1995 and" Orache" in 1997. In 1990 she formed her own group, Moare Danza, creating "Runas", "Conversaciones", "Motz", La Puta Inocencia in 2001, "El rato de José" in 2002 and "Zeru urdina" in 2003 (piece showed in Uzbekistan, Kyrgyzstan and Mongolia), "Gau bakar bat" in 2004 and "Gata Sombra" in 2005. Nowadays she is working in the proyect "Dueto" with the portugues choreographer Filipa Francisco. This proyect is part of the bigger proyect called "Encontros Inmediatos" organized by Alkantara in Lisboa. She used to collaborate with different music, dance and theatre groups in Basque Country. Since 2002 she collaborates with the electroacustic laboratory Klem, having performed with them the pieces Entre libres espíritus, Ciudades infinitas, Underground, Con cadencia de eternidad in Bilbao, Barcelona, Madrid, Roma and Milan; nowadays they´re working in the piece Drosophila in collaboration with Ricardo Clement and Inigo Ibaibarriaga.
ELENA MENDIZABAL ( Sculpture Clothes)
Doctor in Fine Arts and teacher of sculpture in the Faculty of Fine Arts of the UPV /EHU. Since 1982 carries out exhibitions of sculpture in the Basque Country and Spain and her works could be seen in numerous catalogues and publications. Recently she has promoted and collaborated in interdisciplinary artistic events financed by diverse private and public companies.
This concert is presented with the support and cooperation of:
SELMER
Dpt. Cultura of the Government Basque Country (Spain)
Laboratorio de Música Electroacústica de Vitoria-Gasteiz (Basque Country, Spain)
SONIC ARTS (The Research of music and performance technologies of Belfast, Ireland)
KLEM (Laboratory of Electroacoustic Music of Bilbao) (Bilbao, Spain)
