COURSES AND EVENTS COURSES AND EVENTS 2016 General

NASA 2016 Biennial Conference Proposals Overview

NASA2016

Call for Proposals for the NASA 2016 Biennial Conference!

The North American Saxophone Alliance is pleased to announce the 2016 NASA Biennial Conference to be held at Texas Tech University in Lubbock, Texas from March 10-13, 2016, hosted by David Dees.

The Biennial begins with the Thursday, March 10, 8pm Opening Concerto Concert featuring soloists with the Texas Tech Symphony Orchestra and the Texas Tech Wind Ensemble and ends with the Sunday, March 13, 3pm Closing Gala Concert and 5pm closing reception. The program committee welcomes proposals for performances, panel discussions, lectures, papers, master classes and other presentations.

 

2016 NASA Conference Theme

Saxophone Concord: The NASA 2016 Biennial Conference celebrates the community of saxophonists and the unifying potential of music.

The Biennial Conference aims to provide a forum where the NASA membership presents its most important current work, showcasing the wide variety of today’s trends in saxophone performance, pedagogy and scholarship. This may include commissioned works, new scholarship and/or interpretation of familiar repertoire, both new and established pedagogical approaches, and other proposals representative of the energy and enthusiasm of the NASA membership.

Please limit applications to your most important current work that you feel strongly about presenting to the saxophone community at the Biennial. The aim of NASA 2016 Saxophone Concord is to showcase the rich, vital work of our vibrant community of saxophonists.

 

Proposals will be accepted in the following categories.

Symphonic Wind Ensemble Concerto
Symphony Orchestra Concerto
Jazz Soloist with Jazz Ensemble
Classical Solo Performance
Classical Chamber Music Performance
Jazz Performance
Master Classes
Non-Performance Proposals: Lectures, Papers, and Panel Discussions

Timeline of Deadlines

August 15, 2015: applications open
September 07, 2015: Concerto applications due for Wind Ensemble, Orchestra, and Jazz Ensemble
October 01, 2015: Concerto soloists notified for Wind Ensemble, Orchestra, and Jazz Band
October 20, 2015: Conference applications due for all non-concerto proposals
December 15, 2015: Applicants notified for conference proposals
January 2016: Schedule of Events published
March 10-13, 2016 : 2016 NASA Biennial Conference, opens with the NASA competition winners concert at 5pm, followed by the evening’s Opening Concerto Concert with the TTU Symphonic Wind Ensemble and TTU Symphony Orchestra. The Conference ends with the 3pm Closing Gala Concert on Sunday, March 13 at 3pm, followed by a 5pm Closing Reception.
You must be a NASA member in order to make a submission. Click here to login, or click here to join.

Contact Susan Fancher with any questions about conference proposals, Dave Dees with questions about the conference, or James Romain with questions about your membership.

 

General Application Guidelines

The program committee only accepts proposals from Student and Professional members of the North American Saxophone Alliance. You may join NASA or renew your membership if your membership is not current (Professional — US $35, Student/Senior Citizen — US $25) before submitting your proposal.
Questions concerning membership status should be directed to James Romain, NASA Membership Director.
A Saxophone Quartet with at least two Professional members may apply as a Professional chamber ensemble.
Due to space limitations, saxophonists will be allowed a maximum of three performances, only one of which may be a solo performance. Performance proposals may be made for 10-18 minutes of music. Each NASA member is limited to three applications (not including a concerto). Applications must list the names of all collaborating saxophonists. If a member’s name appears in a proposal, it will be considered one of their three proposals, regardless of who submits the application.
Texas Tech University will be able to provide large equipment only (bass drums, timpani, and keyboard instruments — marimba, vibraphone, xylophone, chimes). Smaller instruments and equipment such as snare drums, drum sets, cymbals, tom-toms, bells, tambourines, etc. can not be provided.

Chamber ensembles may apply to play one performance, only.
For mixed chamber ensembles, only the saxophonist is required to be a member of NASA.
Please make every effort to ensure your application is complete before you submit it. Incomplete applications will not be considered.
All Performance Applications Must Include

An accurate duration for each proposed work, to aid the programming committee in scheduling sufficient time for each performance. 10-18 minutes of music may be proposed.
Complete title of proposed piece(s), including movement titles, if applicable, as well as date of composition, name of composer and composer dates. Your application will serve as the source of information for the printed conference program book, so please be sure submitted information is complete and accurate.
A recent recording of the applicant performing the proposed work, or a work similar in scope.
Biographical information for all performers, maximum 150 words, for the printed program.
Biographical information for the composer, maximum 100 words (for program committee review only, not for inclusion in the conference program book).

Chamber groups may also submit an ensemble biography, maximum 200 words.
The names of all musicians involved in the proposed performance.
A short justification for presentation at this conference.
All Non-Performance Applications Must Include

An abstract of 250 words outlining the presentation.

Biographical information for the presenters, maximum 150 words, for the printed program.
A short justification for presentation at this conference.
Symphony Orchestra Concerto Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

You must be a Professional NASA Member residing in North America to submit a proposal in this category.

Concerto proposals must not exceed 20 minutes.
Proposals will be evaluated by members of the program committee. Recommended proposals will then be forwarded to the Symphony Orchestra directors. The Orchestra directors will have final approval for accepted proposals.
A PDF of the full score must accompany the application. Hard copy of score will be requested if the work is chosen.
A recording of the proposed concerto is required, for the use of the program committee and the conductor in evaluating the proposed work. The recording may be an electronic realization or a performance by a saxophonist other than the applicant. If the proposed concerto is not yet complete, include a recording of a portion of the proposed work, if possible. If that is not possible, include a recording of a representative work by the proposed composer.
If the recording in item 5. is a recent performance by the applicant, no other recording is required. Otherwise, include a recording of your recent performance of music of comparable difficulty and quality of your proposed concerto on the same instrument used in the proposed piece.
Concertos that are incomplete at the time of application may be submitted for consideration. These proposals, however, are at a disadvantage.
Saxophonists who performed a concerto in the previous Biennial Conference are not eligible for a concerto at this conference.
Concerto proposals must be submitted by September 07, 2015. Soloists will receive notification by October 01, 2015. Applicants who are not accepted are encouraged to submit a non-concerto proposal for the conference, due October 20, 2015.
A photo of the performer.

Symphonic Wind Ensemble Concerto Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

You must be a Professional NASA Member residing in North America to submit a proposal in this category.
Concerto proposals must not exceed 20 minutes and may be for wind ensemble or chamber winds.
Proposals will be evaluated by members of the program committee. Recommended proposals will then be forwarded to the Symphonic Wind Ensemble director. The Wind Ensemble director will have final approval for accepted proposals.
A PDF of the full score must accompany the application. Hard copy of score will be requested if the work is chosen.
A recording of the proposed concerto is required, for the use of the program committee and the conductor in evaluating the proposed work. The recording may be an electronic realization or a performance by a saxophonist other than the applicant. If the proposed concerto is not yet complete, include a recording of a portion of the proposed work, if possible. If that is not possible, include a recording of a representative work by the proposed composer.
If the recording in item 5. is a recent performance by the applicant, no other recording is required. Otherwise, include a recording of your recent performance of music of comparable difficulty and quality of your proposed concerto on the same instrument used in the proposed piece.
Concertos that are incomplete at the time of application may be submitted for consideration. These proposals, however, are at a disadvantage.
Saxophonists who performed a concerto in the previous Biennial Conference are not eligible for a concerto at this conference.
Concerto proposals must be submitted by September 07, 2015. Soloists will receive notification by October 01, 2015. Applicants who are not accepted are encouraged to submit a non-concerto proposal for the conference, due October 20, 2015.
A photo of the performer.

Jazz Soloist with Jazz Ensemble Proposals

Selected soloists will perform with the TTU Jazz Ensemble on the Saturday evening concert.

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

You must be a Professional NASA Member residing in North America to submit a proposal in this category.
Original compositions and arrangements of standards are welcome. Soloists are allowed to perform two compositions/arrangements or one multi-movement composition, with a 20-minute time limit.
A PDF of the full score must accompany the application. A hard copy of the score and parts will be requested if the work is chosen.
If you are proposing the premiere of a work not yet completed, include a recording of your recent performance of music of comparable difficulty and quality on the same instrument used in the proposed piece, and include a recording of a representative work by the proposed composer/arranger.
Soloist proposals must be submitted by September 07, 2015. Soloists will receive notification by October 01, 2015. Applicants who are not accepted are encouraged to submit a non-soloist proposal for the conference, due October 20, 2015.
A photo of the performer.

Professional Classical Solo and Chamber Music Performance Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

10-18 minutes of music
Works with electronics will have a scheduled rehearsal time in the hall.
NASA Collaborative Pianists are available for a fee. List is forthcoming.
Proposals must be submitted by October 20, 2015.
For proposals that require percussion instruments: Texas Tech University will be able to provide large equipment only (keyboard instruments (marimba, vibraphone, xylophone, chimes), bass drums, and timpani.) Smaller instruments and equipment such as snare drums, drum sets, cymbals, tom-toms, bells, tambourines, etc. can not be provided.
Proposals with electronics require a complete list of equipment needed with a detailed diagram of the tech setup.
Proposals for Saxophone Ensembles may be submitted by the ensemble teacher or ensemble leader in the Professional Classical Chamber Music category.

Student Classical Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

For soloists, students must be studying at the Masters level or above.
For student quartets, at least half of the ensemble must consist of graduate students. Exceptions will be considered on a case-by-case basis. In these instances, a letter of support from the major professor is required.
For master class participation, students of all levels, including high school, will be given consideration, with preference towards undergraduate performers.
Saxophone ensembles (with performers of all ages) are welcome to apply.
Proposals for Saxophone Ensembles may be submitted by the ensemble teacher or ensemble leader in the Professional Classical Chamber Music category.

Professional Jazz Performance Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

Groups must be self-contained and bring their own rhythm sections.
Groups may not be larger than a sextet. Standard and non-standard instrumentation is welcome.
Saxophone solo, duo, trio, quartet, saxophone section, and large saxophone ensembles are encouraged to apply.
30-minute time limit including set-up and tear down.

Student Jazz Proposals

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

For performance proposals, students must be enrolled at the undergraduate or graduate level.
Groups must be self-contained and bring their own rhythm sections.
Combos may not be larger than a sextet (2-3 horns and 3-4 rhythm).
Saxophone solo, duo, trio, quartet, saxophone section, and large saxophone ensembles are encouraged to apply.
30-minute time limit including set-up and tear down.
For master class participation, students of all levels will be given consideration, including high school.
For master class presentations, students must be at the university senior or graduate level.
Professional Non-Performance Proposals — Jazz and Classical Lectures, Master Classes, Panel Discussions

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

Include an abstract of no more than 250 words outlining the presentation. The abstract should accurately reflect the entire content of the presentation (thesis, methods, conclusions).
Lecture proposals should articulate a clear emphasis on scholarly and/or pedagogical topics. Proposals that are primarily performance based, or designed to promote products will not be considered.
For jazz presentations, proposals must be self-contained and bring their own rhythm sections if needed.
All presenters will be required to use their own personal computer and appropriate adaptors and cables. Rooms will come equipped with projection screens and speakers.
Presentations and/or Panel Discussions must not exceed 50 minutes.
Proposals must be submitted by October 20, 2015.

Master Class Participants

You must be a NASA member in order to make a submission. Click here to login, or click here to join.

High School, Undergraduate, Masters and Doctoral Student members of NASA are eligible to apply to play on a master class.
Proposals must include 1-2 pieces the applicant would like to perform on a master class. The Program Committee will make the final selection of repertoire.
Applicants must submit a recent live recording of their performance of repertoire at the same level of difficulty as their proposed pieces.
Additional Information

NASA Collaborative Pianists are available for a fee. List is forthcoming.
Questions regarding programming should be directed to Susan Fancher, Chair of the Program Committee.
Questions regarding performance space, resources, performers, or any other site considerations may be directed to David Dees, Conference Host.

Eligibility Overview

Professional Student
High School Student
Undergrad Student
Masters Student
Doctoral Senior
Symphonic Wind Ensemble Concerto 
Symphony Orchestra Concerto 
Jazz Soloist with Jazz Ensemble
Professional Classical Solo Performance 
Professional Classical Chamber Music Performance 
Student Classical Solo Performance
Student Classical Chamber Music Performance
Professional Jazz Performance 
Student Jazz Performance 
Non-Performance: Master Class
Non-Performance: Jazz Lecture 
Non-Performance: Classical Lecture 
Non-Performance: Panel Discussion 
Master Class Participants 
1 You must be a Professional or Senior member, and reside in North America, for this submission to be considered.

2 Quartets with 2 or more Professionals can apply in this category. One performance per ensemble max.

3 Quartets must have at least half Masters level or higher.

4 Lectures must be lead by a Professional or Doctoral Student.

5 Panel must be lead by a Professional member. A graduate student may, if invited by the leader, be a member of the panel.

 

More information: http://www.saxophonealliance.org/conference-proposals-overview.asp

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